Enabling gender performance with clothing – The fashion cyborg

I have memories (some visual, some vague experiential) of the first times for lipstick, heels, skirts, bras, stockings, false eyelashes. Each time I remember the feeling of exhilarating awareness of a particular part of the body, and the way it changed how that body related to me, how I had to learn to use it anew, and getting to know it anew was a desire and a love. The additions demanded a new way of using the body, some change posture and movement, some manner and expression, some just a focus on that area. Hips were a surprise to me. I am slender and had not thought about my hips till then. The skirt seemed to completely rebalance my midriff, making it seem to swing and sway. I felt like someone was holding me firmly around my waist, and my legs supported this gyroscopic movement as I paraded back and forth.

In the mirror-show, these new areas of the body dominate and drive the show, and combining two or more new pieces (skirt and wig, nails and lips) is not advisable, each must be savoured alone. Each of these moments of discovery are firsts, and diminish with repetition. They form your continual process of transformation. Because this is not a transformation from one being to another being, this is the transformation of the unaware body to the aware body. This is the continuation of the childhood as it extends into the dildonic world. This is the process that will continue into the virtual world. This is the performance.

 

The narrative lived

 

We become the product of narrative because we are being presented with a believable narrative of self to work by. Without it, we’re screwed.

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